Lucy Vigrass’ work looks like the 1970s have collided with the 2010s and added hot pink. Just look at those colours…maybe spring is on the way? [Via Grain Edit.]

Did I mention I was lucky enough to buy a letterpress several months ago? It’s true! I’m the proud owner of a Craftsmen Superior Pilot Clone (it sounds like it’s from space, but trust me, it’s not). I’ve named the letterpress ‘Tiny’ (because Tiny is actually huge), and Veekee Workshop will be pleased to print custom invites and stationary and whatever you heart desires very very soon. Sadly, right at the moment there’s a few issues one comes across with a 50-100 year old all-metal machine that just need to be fixed up. While Tiny awaits the attentions of a local machinist, it just sits in the shop taunting me everyday, and I cannot tell you how much I simply can’t wait to start printing. Stay tuned!

In the meantime, I’ve been reading up on tabletop and platen printing. Today I came across a really wonderful book called Personal impressions: The small printing press in nineteenth-century America by Elizabeth M. Harris. Not only it written by the former head of the Printing & Graphic Arts department of the Smithsonian Institution, but it’s gorgeously illustrated. Until I can get my hands on a physical copy, we’re all lucky Google Books has scanned it in. Enjoy!

Oh yes, we all know how much I love handlettering, so this definitely deserves a post. The good folks over at Lettercult just released The Year in Custom Letters, 2009 edition. All fifteen pages of handiwork and custom vector work make me swoony, and better yet, they’ll be picking their top ten out of this pile of gold tomorrow. Via Drawn.